"The best experimental film from around the world not only displayed some new way of looking through cinema but something new at which to look at.  Although its initial context is a languidly dystopic trip from Toronto to Monterey and back again, (Mexico's) true subject is power: the power inscribed in the unseeing gaze of the tourist, the power manifest in the recently signed North American Free Trade Agreement, under the auspices of which Mexican workers threaten to be divied up by American and Canadian corporations tired of living wages, labour unions and environmental regulations."

Mexico Oberhausen Best of Festival Award 1994